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Sunday, January 6, 2019

Contemporary Hawaiian Music Essay

There is a known Hawaiian saying, You know if the Hawaiian harmonies are good if they instal you chicken undress (Alter immanent Hawaii, 2002) and, I must say, hearing to the online receiving set streaming of KCCN FM100 gave me goosebumps. Being more attuned to Hesperian pop culture, it was a pleasantly retrieve experience for me to sit for an hour and listen to contemporary reggae, urban symphony and ragga with an island contract thats truly Hawaiian.Fourteen passkey Hawaiian verses, including the Top 5 hits in KCCN charts, were played during a late afternoon program that also ethereal a couple of brief Hele On handicraft news, a commercial each from cosmos Share and Hawaii. gov, and 8 radio set ads supporting the people to participate at the on-going 2010 Census. The DJ on deck did not talk much except to give quick, in- amid plugs for a company resolution and to introduce songs.A distinctly evident feature in the contemporary Hawaiian music is its fondness to l ove and desire. The thoughtful songs I listened to speak of the excitement of love, romancing the smell of another or accepting a loves rejection. But scour though the lyrics contain sad words, the line is always upbeat and sensual. The island reggae beat and the strike ballad is truly easy on the ears especially when instruments, like the ukulele, saxophone and native drums blend together to produce the gross(a) harmony.The result is one relaxed listener mentally transported in an island paradise in Hawaii, and its pitch to music lovers is no less than rejuvinating the soul. I imagine KCCN FM100, being a radio station that plays modern hip-hop and soul Hawaiian music, carries the familiar radio warmheartedness of other American hiphop stations. The DJ was very energetic and in a party mood, and even the trade reporter was such a chipper in delivering traffic updates as a local RnB song played in the background.The advertisements aired between the 430-to-530pm radio show were by and large the varying versions of promoting the 2010 Census Count explaining what the number results would mean to businesses, the improvement of social run and what it means to the future generation. I think delivering the message using both in English and the local dialect reveals a lot about the listeners profile of KCCN, which is a mixture of both modern and tralatitious Hawaiian folks.I also debate that although all local songs aired were sing in English, they always make it a point to bring out the traditionalistic Hawaiian flavor. This much is obvious in both the songs and commercials played. Listening to KCCN and the music aired there makes me realize how global Hawaiian music can be in terms of its appeal to both three-year-old and old, locals and foreigners. Everybody can appreciate an island style music inspired by the world-loved Bob Marley and urban rhythm of the modern RnB.

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