Chaucers the House Of Fame: The Cultural Nature Of Fame :: essays research papers

Chaucers "The House of Fame" The Cultural Nature of FameQUESTION 7. argue THE CULTURAL NATURE OF FAME AND ITS TEXTUAL EXPRESSION WITH REFERENCE TOONE OR MORE OF THE FOLLOWING ORAL HEROIC POETRY, CHAUCERS DEPICTION IN THE sign of the zodiac OF FAME AND THE MODERN CONSTRUCTION OF THE CANON OF ENGLISH LITERATURE.YOU SHOULD FOCUS YOUR ANALYSIS ON THE INTERPLAY OF ORAL AND LITERARY TRADITIONSIN THESE CONTEXTS.Many critics live noted the complexities deep down Chaucers The House of Fame,in particular, the complexities between the oral and the literary. Thedifferences between these methods are unendingly appearing Chaucer is wellaware of rapidly changing communicative practises and contrasts the savingof utterance with the longevity of literary texts. He achieves this bydiscussing the reputation of "Fame" and the difficulties that renegade from it. "Fame" rat both destroy and create. It can result in the arrant(a) preservation of greatworks and their creators . However, Chaucer is quick to note the precariousnature of "fame" noting the unreliable process of attaining it and itspotentially momentary existence. Every creator with their respective(prenominal) work/snaturally crave and desire "fame" they want their subjects to hold on fresh inthe minds of their audience. Chaucer, while neither totally praising the writenor the oral, reveals how essentially the written word is far more likely to grow eternal as opposed to the oral. The relative "fame" of any work is drug-addicted on many factors. Many traditional and classical ideas result in theformation of the English canon, yet as Chaucer indicates, the "fame" of theseworks can easily become annihilated. The arrival of new readers with differentideals and thereby changing tradition, can reject classical or "canonical" workand their "fame" will disappear into nothingness.Most stories, histories and legends that emerge from oral heroic poet ry areto prognosticate the achievement of the powerful and wealthy so that their historieswill not give from the memories of the population. The stories of Beowolf are aclear example of this, as within these stories, (whether embellished or no),Beowolfs fame and legend reaches the modern reader hundreds of years later.Clearly, Beowolf is still very often dependant on the conventions of oraltraditions and written to leave a invariable reminder of Beowolf, to enforceBeowolfs fame. The use of "Hwaet" to mark the start of an oration, emphasisesthe continuation of oral tradition. Most oral cultures (usually illiterate),pass on stories and legends learnt from the previous generation, basically usethe authority of recalled memory, not as an actual witness rather I have heardit said than I know this to be true.